Equality & Looking Backward Page 30

"You mean garments made of sheep's hair? Oh, no, there is no modern use for them. Porous paper makes a garment quite as warm as woolen could, and vastly lighter than the clothes you had. Nothing but eider down could have been at once so warm and light as our winter coats of paper."

  "And cotton!--linen! Don't tell me that they have been given up, like wool?"

  "Oh, no; we weave fabrics of these and other vegetable products, and they are nearly as cheap as paper, but paper is so much lighter and more easily fashioned into all shapes that it is generally preferred for garments. But, at any rate, we should consider no material fit for garments which could not be thrown away after being soiled. The idea of washing and cleaning articles of bodily use and using them over and over again would be quite intolerable. For this reason, while we want beautiful garments, we distinctly do not want durable ones. In your day, it seems, even worse than the practice of washing garments to be used again you were in the habit of keeping your outer garments without washing at all, not only day after day, but week after week, year after year, sometimes whole lifetimes, when they were specially valuable, and finally, perhaps, giving them away to others. It seems that women sometimes kept their wedding dresses long enough for their daughters to wear at their weddings. That would seem shocking to us, and yet, even your fine ladies did such things. As for what the poor had to do in the way of keeping and wearing their old clothes till they went to rags, that is something which won't bear thinking of."

  "It is rather startling," I said, "to find the problem of clean clothing solved by the abolition of the wash tub, although I perceive that that was the only radical solution. 'Warranted to wear and wash' used to be the advertisement of our clothing merchants, but now it seems, if you would sell clothing, you must warrant the goods neither to wear nor to wash."

  "As for wearing," said Edith, "our clothing never gets the chance to show how it would wear before we throw it away, any more than the other fabrics, such as carpets, bedding, and hangings that we use about our houses."

  "You don't mean that they are paper-made also!" I exclaimed.

  "Not always made of paper, but always of some fabric so cheap that they can be rejected after the briefest period of using. When you would have swept a carpet we put in a new one. Where you would wash or air bedding we renew it, and so with all the hangings about our houses so far as we use them at all. We upholster with air or water instead of feathers. It is more than I can understand how you ever endured your musty, fusty, dusty rooms with the filth and disease germs of whole generations stored in the woolen and hair fabrics that furnished them. When we clean out a room we turn the hose on ceiling, walls, and floor. There is nothing to harm--nothing but tiled or other hard-finished surfaces. Our hygienists say that the change in customs in these matters relating to the purity of our clothing and dwellings, has done more than all our other improvements to eradicate the germs of contagious and other diseases and relegate epidemics to ancient history.

  "Talking of paper," said Edith, extending a very trim foot by way of attracting attention to its gear, "what do you think of our modern shoes?"

  "Do you mean that they also are made of paper?" I exclaimed.

  "Of course."

  "I noticed the shoes your father gave me were very light as compared with anything I had ever worn before. Really that is a great idea, for lightness in foot wear is the first necessity. Scamp shoemakers used to put paper soles in shoes in my day. It is evident that instead of prosecuting them for rascals we should have revered them as unconscious prophets. But, for that matter, how do you prepare soles of paper that will last?"

  "There are plenty of solutions which will make paper as hard as iron."

  "And do not these shoes leak in winter?"

  "We have different kinds for different weathers. All are seamless, and the wet-weather sort are coated outside with a lacquer impervious to moisture."

  "That means, I suppose, that rubbers too as articles of wear have been sent to the museum?"

  "We use rubber, but not for wear. Our waterproof paper is much lighter and better every way."

  "After all this it is easy to believe that your hats and caps are also paper-made."

  "And so they are to a great extent," said Edith; "the heavy headgear that made your men bald ours would not endure. We want as little as possible on our heads, and that as light as may be."

  "Go on!" I exclaimed. "I suppose I am next to be told that the delicious but mysterious articles of food which come by the pneumatic carrier from the restaurant or are served there are likewise made out of paper. Proceed--I am prepared to believe it!"

  "Not quite so bad as that," laughed my companion, "but really the next thing to it, for the dishes you eat them from are made of paper. The crash of crockery and glass, which seems to have been a sort of running accompaniment to housekeeping in your day, is no more heard in the land. Our dishes and kettles for eating or cooking, when they need cleaning are thrown away, or rather, as in the case of all these rejected materials I have spoken of, sent back to the factories to be reduced again to pulp and made over into other forms."

  "But you certainly do not use paper kettles? Fire will still burn, I fancy, although you seem to have changed most of the other rules we went by."

  "Fire will still burn, indeed, but the electrical heat has been adopted for cooking as well as for all other purposes. We no longer heat our vessels from without but from within, and the consequence is that we do our cooking in paper vessels on wooden stoves, even as the savages used to do it in birch-bark vessels with hot stones, for, so the philosophers say, history repeats itself in an ever-ascending spiral."

  And now Edith began to laugh at my perplexed expression. She declared that it was clear my credulity had been taxed with these accounts of modern novelties about as far as it would be prudent to try it without furnishing some further evidence of the truth of the statements she had made. She proposed accordingly, for the balance of the morning, a visit to some of the great paper-process factories.

  Chapter VIII.

  The greatest wonder yet-fashion dethroned

  Table of Contents

  "You surely can not form the slightest idea of the bodily ecstasy it gives me to have done with that horrible masquerade in mummy clothes," exclaimed my companion as we left the house. "To think this is the first time we have actually been walking together!"

  "Surely you forget," I replied; "we have been out together several times."

  "Out together, yes, but not walking," she answered; "at least I was not walking. I don't know what would be the proper zoological term to describe the way I got over the ground inside of those bags, but it certainly was not walking. The women of your day, you see, were trained from childhood in that mode of progression, and no doubt acquired some skill in it; but I never had skirts on in my life except once, in some theatricals. It was the hardest thing I ever tried, and I doubt if I ever again give you so strong a proof of my regard. I am astonished that you did not seem to notice what a distressful time I was having."

  But if, being accustomed, as I had been, to the gait of women hampered by draperies, I had not observed anything unusual in Edith's walk when we had been out on previous occasions, the buoyant grace of her carriage and the elastic vigor of her step as she strode now by my side was a revelation of the possibilities of an athletic companionship which was not a little intoxicating.

  To describe in detail what I saw in my tour that day through the paper-process factories would be to tell an old story to twentieth-century readers; but what far more impressed me than all the ingenuity and variety of mechanical adaptations was the workers themselves and the conditions of their labor. I need not tell my readers what the great mills are in these days--lofty, airy halls, walled with beautiful designs in tiles and metal, furnished like palaces, with every convenience, the machinery running almost noiselessly, and every incident of the work that might be offensive to any sense reduced by ingenious devices to the minimum. Neither need I describe to you the p
rincely workers in these palaces of industry, the strong and splendid men and women, with their refined and cultured faces, prosecuting with the enthusiasm of artists their self-chosen tasks of combining use and beauty. You all know what your factories are to-day; no doubt you find them none too pleasant or convenient, having been used to such things all your lives. No doubt you even criticise them in various ways as falling short of what they might be, for such is human nature; but if you would understand how they seem to me, shut your eyes a moment and try to conceive in fancy what our cotton and woolen and paper mills were like a hundred years ago.

  Picture low rooms roofed with rough and grimy timbers and walled with bare or whitewashed brick. Imagine the floor so crammed with machinery for economy of space as to allow bare room for the workers to writhe about among the flying arms and jaws of steel, a false motion meaning death or mutilation. Imagine the air space above filled, instead of air, with a mixture of stenches of oil and filth, unwashed human bodies, and foul clothing. Conceive a perpetual clang and clash of machinery like the screech of a tornado.

  But these were only the material conditions of the scene. Shut your eyes once more, that you may see what I would fain forget I had ever seen--the interminable rows of women, pallid, hollow-cheeked, with faces vacant and stolid but for the accent of misery, their clothing tattered, faded, and foul; and not women only, but multitudes of little children, weazen-faced and ragged--children whose mother's milk was barely out of their blood, their bones yet in the gristle.

  * * * * *

  Edith introduced me to the superintendent of one of the factories, a handsome woman of perhaps forty years. She very kindly showed us about and explained matters to me, and was much interested in turn to know what I thought of the modern factories and their points of contrast with those of former days. Naturally, I told her that I had been impressed, far more than by anything in the new mechanical appliances, with the transformation in the condition of the workers themselves.

  "Ah, yes," she said, "of course you would say so; that must indeed be the great contrast, though the present ways seem so entirely a matter of course to us that we forget it was not always so. When the workers settle how the work shall be done, it is not wonderful that the conditions should be the pleasantest possible. On the other hand, when, as in your day, a class like your private capitalists, who did not share the work, nevertheless settled how it should be done it is not surprising that the conditions of industry should have been as barbarous as they were, especially when the operation of the competitive system compelled the capitalists to get the most work possible out of the workers on the cheapest terms."

  "Do I understand." I asked, "that the workers in each trade regulate for themselves the conditions of their particular occupation?"

  "By no means. The unitary character of our industrial administration is the vital idea of it, without which it would instantly become impracticable. If the members of each trade controlled its conditions, they would presently be tempted to conduct it selfishly and adversely to the general interest of the community, seeking, as your private capitalists did, to get as much and give as little as possible. And not only would every distinctive class of workers be tempted to act in this manner, but every subdivision of workers in the same trade would presently be pursuing the same policy, until the whole industrial system would become disintegrated, and we should have to call the capitalists from their graves to save us. When I said that the workers regulated the conditions of work, I meant the workers as a whole--that is, the people at large, all of whom are nowadays workers, you know. The regulation and mutual adjustment of the conditions of the several branches of the industrial system are wholly done by the General Government. At the same time, however, the regulation of the conditions of work in any occupation is effectively, though indirectly, controlled by the workers in it through the right we all have to choose and change our occupations. Nobody would choose an occupation the conditions of which were not satisfactory, so they have to be made and kept satisfactory."

  * * * * *

  While we were at the factory the noon hour came, and I asked the superintendent and Edith to go out to lunch with me. In fact, I wanted to ascertain whether my newly acquired credit card was really good for anything or not.

  "There is one point about your modern costumes," I said, as we sat at our table in the dining hall, "about which I am rather curious. Will you tell me who or what sets the fashions?"

  "The Creator sets the only fashion which is now generally followed," Edith answered.

  "And what is that?"

  "The fashion of our bodies," she answered.

  "Ah, yes, very good," I replied, "and very true, too, of your costumes, as it certainly was not of ours; but my question still remains. Allowing that you have a general theory of dress, there are a thousand differences in details, with possible variations of style, shape, color, material, and what not. Now, the making of garments is carried on, I suppose, like all your other industries, as public business, under collective management, is it not?"

  "Certainly. People, of course, can make their own clothes if they wish to, just as they can make anything else, but it would be a great waste of time and energy."

  "Very well. The garments turned out by the factories have to be made up on some particular design or designs. In my day the question of designs of garments was settled by society leaders, fashion journals, edicts from Paris, or the Lord knows how; but at any rate the question was settled for us, and we had nothing to do but to obey. I don't say it was a good way; on the contrary, it was detestable; but what I want to know is, What system have you instead, for I suppose you have now no society leaders, fashion journals, or Paris edicts? Who settles the question what you shall wear?"

  "We do," replied the superintendent.

  "You mean, I suppose, that you determine it collectively by democratic methods. Now, when I look around me in this dining hall and see the variety and beauty of the costumes, I am bound to say that the result of your system seems satisfactory, and yet I think it would strike even the strongest believer in the principle of democracy that the rule of the majority ought scarcely to extend to dress. I admit that the yoke of fashion which we bowed to was very onerous, and yet it was true that if we were brave enough, as few indeed were, we might defy it; but with the style of dress determined by the administration, and only certain styles made, you must either follow the taste of the majority or lie abed. Why do you laugh? Is it not so?"

  "We were smiling," replied the superintendent, "on account of a slight misapprehension on your part. When I said that we regulated questions of dress, I meant that we regulated them not collectively, by majority, but individually, each for himself or herself."

  "But I don't see how you can," I persisted. "The business of producing fabrics and of making them into garments is carried on by the Government. Does not that imply, practically, a governmental control or initiative in fashions of dress?"

  "Dear me, no!" exclaimed the superintendent. "It is evident, Mr. West, as indeed the histories say, that governmental action carried with it in your day an arbitrary implication which it does not now. The Government is actually now what it nominally was in the America of your day--the servant, tool, and instrument by which the people give effect to their will, itself being without will. The popular will is expressed in two ways, which are quite distinct and relate to different provinces: First, collectively, by majority, in regard to blended, mutually involved interests, such as the large economic and political concerns of the community; second, personally, by each individual for himself or herself in the furtherance of private and self-regarding matters. The Government is not more absolutely the servant of the collective will in regard to the blended interests of the community than it is of the individual convenience in personal matters. It is at once the august representative of all in general concerns, and everybody's agent, errand boy, and factotum for all private ends. Nothing is too high or too low, too great or too little, for it to do f
or us.

  "The dressmaking department holds its vast provision of fabrics and machinery at the absolute disposition of the whims of every man or woman in the nation. You can go to one of the stores and order any costume of which a historical description exists, from the days of Eve to yesterday, or you can furnish a design of your own invention for a brand-new costume, designating any material at present existing, and it will be sent home to you in less time than any nineteenth-century dressmaker ever even promised to fill an order. Really, talking of this, I want you to see our garment-making machines in operation. Our paper garments, of course, are seamless, and made wholly by machinery. The apparatus being adjustable to any measure, you can have a costume turned out for you complete while you are looking over the machine. There are, of course, some general styles and shapes that are usually popular, and the stores keep a supply of them on hand, but that is for the convenience of the people, not of the department, which holds itself always ready to follow the initiative of any citizen and provide anything ordered in the least possible time."

  "Then anybody can set the fashion?" I said.

  "Anybody can set it, but whether it is followed depends on whether it is a good one, and really has some new point in respect of convenience or beauty; otherwise it certainly will not become a fashion. Its vogue will be precisely proportioned to the merit the popular taste recognizes in it, just as if it were an invention in mechanics. If a new idea in dress has any merit in it, it is taken up with great promptness, for our people are extremely interested in enhancing personal beauty by costume, and the absence of any arbitrary standards of style such as fashion set for you leaves us on the alert for attractions and novelties in shape and color. It is in variety of effect that our mode of dressing seems indeed to differ most from yours. Your styles were constantly being varied by the edicts of fashion, but as only one style was tolerated at a time, you had only a successive and not a simultaneous variety, such as we have. I should imagine that this uniformity of style, extending, as I understand it often did, to fabric, color, and shape alike, must have caused your great assemblages to present a depressing effect of sameness.