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  "That was a fact fully admitted in my day," I replied. "The artists were the enemies of fashion, as indeed all sensible people were, but resistance was in vain. Do you know, if I were to return to the nineteenth century, there is perhaps nothing else I could tell my contemporaries of the changes you have made that would so deeply impress them as the information that you had broken the scepter of fashion, that there were no longer any arbitrary standards in dress recognized, and that no style had any other vogue that might be given it by individual recognition of its merits. That most of the other yokes humanity wore might some day be broken, the more hopeful of us believed, but the yoke of fashion we never expected to be freed from, unless perhaps in heaven."

  "The reign of fashion, as the history books call it, always seemed to me one of the most utterly incomprehensible things about the old order," said Edith. "It would seem that it must have had some great force behind it to compel such abject submission to a rule so tyrannical. And yet there seems to have been no force at all used. Do tell us what the secret was, Julian?"

  "Don't ask me," I protested. "It seemed to be some fell enchantment that we were subject to--that is all I know. Nobody professed to understand why we did as we did. Can't you tell us," I added, turning to the superintendent--"how do you moderns diagnose the fashion mania that made our lives such a burden to us?"

  "Since you appeal to me," replied our companion, "I may say that the historians explain the dominion of fashion in your age as the natural result of a disparity of economic conditions prevailing in a community in which rigid distinctions of caste had ceased to exist. It resulted from two factors: the desire of the common herd to imitate the superior class, and the desire of the superior class to protect themselves from that imitation and preserve distinction of appearance. In times and countries where class was caste, and fixed by law or iron custom, each caste had its distinctive dress, to imitate which was not allowed to another class. Consequently fashions were stationary. With the rise of democracy, the legal protection of class distinctions was abolished, while the actual disparity in social ranks still existed, owing to the persistence of economic inequalities. It was now free for all to imitate the superior class, and thus seem at least to be as good as it, and no kind of imitation was so natural and easy as dress. First, the socially ambitious led off in this imitation; then presently the less pretentious were constrained to follow their example, to avoid an apparent confession of social inferiority; till, finally, even the philosophers had to follow the herd and conform to the fashion, to avoid being conspicuous by an exceptional appearance."

  "I can see," said Edith, "how social emulation should make the masses imitate the richer and superior class, and how the fashions should in this way be set; but why were they changed so often, when it must have been so terribly expensive and troublesome to make the changes?"

  "For the reason," answered the superintendent, "that the only way the superior class could escape their imitators and preserve their distinction in dress was by adopting constantly new fashions, only to drop them for still newer ones as soon as they were imitated.--Does it seem to you, Mr. West, that this explanation corresponds with the facts as you observed them?"

  "Entirely so," I replied. "It might be added, too, that the changes in fashions were greatly fomented and assisted by the self-interest of vast industrial and commercial interests engaged in purveying the materials of dress and personal belongings. Every change, by creating a demand for new materials and rendering those in use obsolete, was what we called good for trade, though if tradesmen were unlucky enough to be caught by a sudden change of fashion with a lot of goods on hand it meant ruin to them. Great losses of this sort, indeed, attended every change in fashion."

  "But we read that there were fashions in many things besides dress," said Edith.

  "Certainly," said the superintendent. "Dress was the stronghold and main province of fashion because imitation was easiest and most effective through dress, but in nearly everything that pertained to the habits of living, eating, drinking, recreation, to houses, furniture, horses and carriages, and servants, to the manner of bowing even, and shaking hands, to the mode of eating food and taking tea, and I don't know what else--there were fashions which must be followed, and were changed as soon as they were followed. It was indeed a sad, fantastic race, and, Mr. West's contemporaries appear to have fully realized it; but as long as society was made up of unequals with no caste barriers to prevent imitation, the inferiors were bound to ape the superiors, and the superiors were bound to baffle imitation, so far as possible, by seeking ever-fresh devices for expressing their superiority."

  "In short," I said, "our tedious sameness in dress and manners appears to you to have been the logical result of our lack of equality in conditions."

  "Precisely so," answered the superintendent. "Because you were not equal, you made yourself miserable and ugly in the attempt to seem so. The aesthetic equivalent of the moral wrong of inequality was the artistic abomination of uniformity. On the other hand, equality creates an atmosphere which kills imitation, and is pregnant with originality, for every one acts out himself, having nothing to gain by imitating any one else."

  Chapter IX.

  Something that had not changed

  Table of Contents

  When we parted with the superintendent of the paper-process factory I said to Edith that I had taken in since that morning about all the new impressions and new philosophies I could for the time mentally digest, and felt great need of resting my mind for a space in the contemplation of something--if indeed there were anything--which had not changed or been improved in the last century.

  After a moment's consideration Edith exclaimed: "I have it! Ask no questions, but just come with me."

  Presently, as we were making our way along the route she had taken, she touched my arm, saying, "Let us hurry a little."

  Now, hurrying was the regulation gait of the nineteenth century. "Hurry up!" was about the most threadbare phrase in the English language, and rather than "_E pluribus unum_" should especially have been the motto of the American people, but it was the first time the note of haste had impressed my consciousness since I had been living twentieth-century days. This fact, together with the touch of my companion upon my arm as she sought to quicken my pace, caused me to look around, and in so doing to pause abruptly.

  "What is this?" I exclaimed.

  "It is too bad!" said my companion. "I tried to get you past without seeing it."

  But indeed, though I had asked what was this building we stood in presence of, nobody could know so well as I what it was. The mystery was how it had come to be there for in the midst of this splendid city of equals, where poverty was an unknown word, I found myself face to face with a typical nineteenth-century tenement house of the worst sort--one of the rookeries, in fact, that used to abound in the North End and other parts of the city. The environment was indeed in strong enough contrast with that of such buildings in my time, shut in as they generally were by a labyrinth of noisome alleys and dark, damp courtyards which were reeking reservoirs of foetid odors, kept in by lofty, light-excluding walls. This building stood by itself, in the midst of an open square, as if it had been a palace or other show place. But all the more, indeed, by this fine setting was the dismal squalor of the grimy structure emphasized. It seemed to exhale an atmosphere of gloom and chill which all the bright sunshine of the breezy September afternoon was unable to dominate. One would not have been surprised, even at noonday, to see ghosts at the black windows. There was an inscription over the door, and I went across the square to read it, Edith reluctantly following me. These words I read, above the central doorway:

  "THIS HABITATION OF CRUELTY IS PRESERVED AS A MEMENTO TO COMING GENERATIONS OF THE RULE OF THE RICH."

  "This is one of the ghost buildings," said Edith, "kept to scare the people with, so that they may never risk anything that looks like bringing back the old order of things by allowing any one on any plea to obtain an econom
ic advantage over another. I think they had much better be torn down, for there is no more danger of the world's going back to the old order than there is of the globe reversing its rotation."

  A band of children, accompanied by a young woman, came across the square as we stood before the building, and filed into the doorway and up the black and narrow stairway. The faces of the little ones were very serious, and they spoke in whispers.

  "They are school children." said Edith. "We are all taken through this building, or some other like it, when we are in the schools, and the teacher explains what manner of things used to be done and endured there. I remember well when I was taken through this building as a child. It was long afterward before I quite recovered from the terrible impression I received. Really, I don't think it is a good idea to bring young children here, but it is a custom that became settled in the period after the Revolution, when the horror of the bondage they had escaped from was yet fresh in the minds of the people, and their great fear was that by some lack of vigilance the rule of the rich might be restored.

  "Of course," she continued, "this building and the others like it, which were reserved for warnings when the rest were razed to the ground, have been thoroughly cleaned and strengthened and made sanitary and safe every way, but our artists have very cunningly counterfeited all the old effects of filth and squalor, so that the appearance of everything is just as it was. Tablets in the rooms describe how many human beings used to be crowded into them, and the horrible conditions of their lives. The worst about it is that the facts are all taken from historical records, and are absolutely true. There are some of these places in which the inhabitants of the buildings as they used to swarm in them are reproduced in wax or plaster with every detail of garments, furniture, and all the other features based on actual records or pictures of the time. There is something indescribably dreadful in going through the buildings fitted out in that way. The dumb figures seem to appeal to you to help them. It was so long ago, and yet it makes one feel conscience-stricken not to be able to do anything."

  "But, Julian, come away. It was just a stupid accident my bringing you past here. When I undertook to show you something that had not changed since your day, I did not mean to mock you."

  Thanks to modern rapid transit, ten minutes later we stood on the ocean shore, with the waves of the Atlantic breaking noisily at our feet and its blue floor extending unbroken to the horizon. Here indeed was something that had not been changed--a mighty existence, to which a thousand years were as one day and one day as a thousand years. There could be no tonic for my case like the inspiration of this great presence, this unchanging witness of all earth's mutations. How petty seemed the little trick of time that had been played on me as I stood in the presence of this symbol of everlastingness which made past, present, and future terms of little meaning!

  In accompanying Edith to the part of the beach where we stood I had taken no note of directions, but now, as I began to study the shore, I observed with lively emotion that she had unwittingly brought me to the site of my old seaside place at Nahant. The buildings were indeed gone, and the growth of trees had quite changed the aspect of the landscape, but the shore line remained unaltered, and I knew it at once. Bidding her follow me, I led the way around a point to a little strip of beach between the sea and a wall of rock which shut off all sight or sound of the land behind. In my former life the spot had been a favorite resort when I visited the shore. Here in that life so long ago, and yet recalled as if of yesterday, I had been used from a lad to go to do my day dreaming. Every feature of the little nook was as familiar to me as my bedroom and all was quite unchanged. The sea in front, the sky above, the islands and the blue headlands of the distant coast--all, indeed, that filled the view was the same in every detail. I threw myself upon the warm sand by the margin of the sea, as I had been wont to do, and in a moment the flood of familiar associations had so completely carried me back to my old life that all the marvels that had happened to me, when presently I began to recall them, seemed merely as a day dream that had come to me like so many others before it in that spot by the shore. But what a dream it had been, that vision of the world to be; surely of all the dreams that had come to me there by the sea the weirdest!

  There had been a girl in the dream, a maiden much to be desired. It had been ill if I had lost her; but I had not, for this was she, the girl in this strange and graceful garb, standing by my side and smiling down at me. I had by some great hap brought her back from dreamland, holding her by the very strength of my love when all else of the vision had dissolved at the opening of the eyes.

  Why not? What youth has not often been visited in his dreams by maidenly ideals fairer than walk on earth, whom, waking, he has sighed for and for days been followed by the haunting beauty of their half-remembered faces? I, more fortunate than they, had baffled the jealous warder at the gates of sleep and brought my queen of dreamland through.

  When I proceeded to state to Edith this theory to account for her presence, she professed to find it highly reasonable, and we proceeded at much length to develop the idea. Falling into the conceit that she was an anticipation of the twentieth-century woman instead of my being an excavated relic of the nineteenth-century man, we speculated what we should do for the summer. We decided to visit the great pleasure resorts, where, no doubt, she would under the circumstances excite much curiosity and at the same time have an opportunity of studying what to her twentieth-century mind would seem even more astonishing types of humanity than she would seem to them--namely, people who, surrounded by a needy and anguished world, could get their own consent to be happy in a frivolous and wasteful idleness. Afterward we would go to Europe and inspect such things there as might naturally be curiosities to a girl out of the year 2000, such as a Rothschild, an emperor, and a few specimens of human beings, some of which were at that time still extant in Germany, Austria, and Russia, who honestly believed that God had given to certain fellow-beings a divine title to reign over them.

  Chapter X.

  A midnight plunge

  Table of Contents

  It was after dark when we reached home, and several hours later before we had made an end of telling our adventures. Indeed, my hosts seemed at all times unable to hear too much of my impressions of modern things, appearing to be as much interested in what I thought of them as I was in the things themselves.

  "It is really, you see," Edith's mother had said, "the manifestation of vanity on our part. You are a sort of looking-glass to us, in which we can see how we appear from a different point of view from our own. If it were not for you, we should never have realized what remarkable people we are, for to one another, I assure you, we seem very ordinary."

  To which I replied that in talking with them I got the same looking-glass effect as to myself and my contemporaries, but that it was one which by no means ministered to my vanity.

  When, as we talked, the globe of the color clock turning white announced that it was midnight, some one spoke of bed, but the doctor had another scheme.

  "I propose," said he, "by way of preparing a good night's rest for us all, that we go over to the natatorium and take a plunge."

  "Are there any public baths open so late as this?" I said. "In my day everything was shut up long before now."

  Then and there the doctor gave me the information which, matter of course as it is to twentieth-century readers, was surprising enough to me, that no public service or convenience is ever suspended at the present day, whether by day or night, the year round; and that, although the service provided varies in extent, according to the demand, it never varies in quality.

  "It seems to us," said the doctor, "that among the minor inconveniences of life in your day none could have been more vexing than the recurrent interruption of all, or of the larger part of all, public services every night. Most of the people, of course, are asleep then, but always a portion of them have occasion to be awake and about, and all of us sometimes, and we should consider it a ve
ry lame public service that did not provide for the night workers as good a service as for the day workers. Of course, you could not do it, lacking any unitary industrial organization, but it is very easy with us. We have day and night shifts for all the public services--the latter, of course, much the smaller."

  "How about public holidays; have you abandoned them?"

  "Pretty generally. The occasional public holidays in your time were prized by the people, as giving them much-needed breathing spaces. Nowadays, when the working day is so short and the working year so interspersed with ample vacations, the old-fashioned holiday has ceased to serve any purpose, and would be regarded as a nuisance. We prefer to choose and use our leisure time as we please."

  It was to the Leander Natatorium that we had directed our steps. As I need not remind Bostonians, this is one of the older baths, and considered quite inferior to the modern structures. To me, however, it was a vastly impressive spectacle. The lofty interior glowing with light, the immense swimming tank, the four great fountains filling the air with diamond-dazzle and the noise of falling water, together with the throng of gayly dressed and laughing bathers, made an exhilarating and magnificent scene, which was a very effective introduction to the athletic side of the modern life. The loveliest thing of all was the great expanse of water made translucent by the light reflected from the white tiled bottom, so that the swimmers, their whole bodies visible, seemed as if floating on a pale emerald cloud, with an effect of buoyancy and weightlessness that was as startling as charming. Edith was quick to tell me, however, that this was as nothing to the beauty of some of the new and larger baths, where, by varying the colors of the tiling at the bottom, the water is made to shade through all the tints of the rainbow while preserving the same translucent appearance.